😂 Life is a work of art¶
We've covered the beginnings of Ethereum, the effects it's likely to have on our capitalist society in the long-term, and the deeper history of data integrity into which this all fits, but the big question still remains: what does it actually mean? For that, we must turn away from the men and invite the sparkling character of May Li Khoe onto the stage.
How does this fit into KERNEL?¶
This wonderful presentation has been selected to deepen your appreciation of where meaning might stem from, how we can literally design our own perceptions and experiences of the world to generate more of it and thereby create value both for ourselves and the communities of which we are a part.
May Li begins by speaking about her mixed ancestry and the effect this has had on her approach to, and understanding of, value and meaning. As one of the designers who worked on the first iPhone, she has a unique perspective on the ability we have to design both. She also speaks about the US-sanctioned massacres in Indonesia in 1965 - one of the places she originates from - and how these, too, have effected the way she sees the structure of society and what she calls "dominant narratives."
"Instead of thinking of life as a series of checks which I need to tick off - something which can be displayed on a graph that climbs ever up and to the right - I like to think of my life as a canvas which I can paint with whatever weird artwork I feel like [...] Here is my mandatory Venn diagram: the status quo needs to change, and life is short. When we put these two together, we can see that we need to subvert the status quo and have as much fun as possible along the way!"
It's colourful and light and funny, but also a deeply profound point. To illustrate further: the point of meditation is not to get "good" at sitting around, thinking about nothing: it is to turn your life into a meditative one. Every act itself a meditation. May Li talks about it in terms of turning the living of life into an artwork. The question is, what is the primary means we have a making art of our lives? This course will contend that it is designing dialogue. Therefore, we turn back and listen further:
"The first example is BBQ Becky, a woman who called the police on black people having a barbecue [... The response was to host a really massive barbecue and] the community has come together, everyone is welcome, thousands of people turned out. There was great food, and dominoes. And now it's a tradition! [...] The second example is called 'futbolistas 4 life' [...] Something that was important for a lot of the students was feeling like they had this space to play; and freedom and ownership over their play and their bodies in a place that felt good [...] 'Having a space like a soccer field where we can play and love one another: that's an act of resistance'."
In an empire of lies, telling the truth is a revolutionary act. In a society based on fear; love and trust are the primary tools of resistance. Play allows us to create and share ownership of spaces in ways which competition cannot. This is why we have unicorns and dancing developers and silly memes: it's not something incidental. It is a fundamental part of what borderless, global history-writing based on consensus is about. The revolution is not being televised because it's not about hate or anger or violence or anything else that grabs the headlines of a media operating with skewed incentives. It's heart to heart, here in the prison yards where we're using matching funds to build playgrounds where we can love again.
"When you do these little, joyful subversions remember that they can be really small. They don't have to be these grandiose events with hundreds or thousands of people. When face-tracking came out, I managed to sneak little pink hearts into your Mac. At that time, there wasn't a lot of pink happening at all [laughs] It makes me happy to think I got Steve Jobs to approve this while pink hearts were coming out his head. Another example is the Technics 1200 turntables as your avatar - iconic in hip hop - and some other Easter eggs which are still in MacOS."
May Li goes on to talk about Scribble Together and her approach to presentation. One of the examples she uses is the ability to "stamp multiple unicorns". Everything is connected.
Experiment with format¶
"Another thing you can do is experiment with format [...] For instance, using this traditional talk format to instead make everyone dance [...] Another one is subverting technology. This one is pretty profound. We talk a lot about the epidemic of loneliness [...] somehow, we have accepted the fact that computation has to be locked behind these little rectangles [...] How many years are we into the journey of computers and yet we still accept that we can get locked into things like this!? What would happen if we turned computers inside out? There's an organization called DynamicLand which does exactly this. It's like cooking or scrapbooking; except it's all software and we're building things together."
It's worth knowing a little bit about Bret Victor and the work him and people like him are doing on computation as a concept and practice, rather than just writing more software in a linear, boxed-in kind of way. Stay with this until May Li makes it rain purple across everyone's prototypes with a Prince override. We'll return to Bret later in the course.
Create a space¶
"Creating a space for change does not necessarily mean you're doing it yourself; you're just making it possible for others."
May Li discusses La Pelanga, a DJ collective she helped form that holds parties in the Bay Area and does interesting things with their celebratory space. The first one, for instance, raised funds for Haiti. Again: light, fun, colourful, and profound. I once had a friend who told me, "I'm not all that interested in Jesus, you know. I'm much more interested in what on earth was going on with that water he walked on!" By which he meant that real miracles occur when you provide the environment for others to achieve seemingly miraculous things.
"When you think about dominant narrative and the status quo, symbolism is a big part of that, because a lot of how we relate to each other is through symbols and stories."
This time, May Li and friends took a traditional gallery space, built a replica of the proposed wall between the USA and Mexico out of pinatas and then hosted a big party to do what is traditionally done to pinatas: smash them up! The footage is a treat to behold.
Building on history¶
"I think change is rarely straightforward and, unlike the covers of magazines tend to show, it doesn't happen with one person on their own. We have a lot of room to build on history, to build on all the tremendous work of people before us who have striven for a better world. One group of people who did something that was pretty important were the Black Panthers. One thing people don't realise about them is that they instituted a free breakfast program for children. We talk a lot about education and all the different statistics and projects there, but if people come to class hungry they cannot learn [...] This free breakfast program actually ended up being the blueprint for the Federal free breakfast program which happens today."
May Li uses this example to discuss the People's Kitchen Collective.
"These are recipes of resilience. The strength of our communities is, at its heart, based on the meals we share together."
Please ping Vivek to discuss the importance of food. He has many hot takes on this topic.
Shifting the nature of work¶
"I spent many years in conference rooms and, at some point in time after being at Apple for a little while, I felt like I wanted to do something a little different and I wound up joining Khan Academy. There were a couple of reasons I was attracted to it: one of them was that they are a not-for-profit which is building software, and that's pretty rare. I thought, 'hmmm, what would happen if our incentive structures were a little different?' I wanted to democratize learning too, so the mission was really profound for me. And the last thing was about the culture, because I felt that the organization was really open to some experimentation with cultural shifts.
"We wanted to shift educational software from assessing students and just asking 'Do you get it yet?' to letting them explore magical worlds themselves where, for instance, understanding the mathematics would give you powers [...] And all kinds of interesting stuff fell out of it: visual and interactive properties of prime numbers and so on.
"People tend to have a very vivid imagination when they work in design: you actually, literally, have the tools and you're constantly drawing possible futures. When you are iterating, you are literally drawing multiple possible futures. So, if you take a second and think about something that you want to change, and you look around you - there are so many potential co-conspirators here! - this is really an invitation to you to make some friends and start some shit and joyfully subvert the status quo!"